Serie layout


The vis-à-vis series provides a platform to stimulating and relevant subjects in recent and emerging visual arts, architecture and design. The authors relate to history and art history, to other authors, to recent topics and to the reader. Most are academic researchers. What binds them is a visual way of thinking, an undaunted treatment of the subject matter and a skilful, creative style of writing.

 

Series Design: Sam de Groot
Size: 23,5 x 16,5 cm
Binding: Paperback
Language: English

Valuing Architecture: Heritage and the Economics of Culture, Ashley Paine, Susan Holden, John Macarthur, 2020, Ashley Paine, Susan Holden, John Macarthur, 2020

Creative Theories of (Just About) Everything: A Journey into Origins and Imaginations, Jeroen Lutters, 2020

In the Shadow of the Art Work, Jeroen Lutters, 2019

Trading between Architecture and Art, Wouter Davidts, Susan Holden, Ashley Paine, 2019

Conceptual Art in a Curatorial Perspective, Nathalie Zonnenberg, 2019

The Transhistorical Museum: Mapping the Field, Eva Wittocx, Ann Demeester, Peter Carpreau, Melanie Bühler, Xander Karskens (ed.), 2018

The Trade of the Teacher: Visual Thinking with Mieke Bal, Jeroen Lutters, 2018

'Het gaat om heel eenvoudige dingen': Jean Leering en de kunst, Paul Kempers, 2018

Failed Images: Photography and Its Counter-Practices, Ernst van Alphen, 2018

Brian O'Doherty / Patrick Ireland: Word, Image and Institutional Critique, Christa-Maria Lerm-Hayes (ed.), 2017

Pavilion Propositions: Nine Points on an Architectural Phenomenon, Wouter Davidts, John Macarthur, Susan Holden, Ashley Paine, 2017

The Lure of the Biographical: On the (Self-)Representation of Modern Artists, Sandra Kisters, 2017

The Perfect Spectator: The Experience of the Art Work and Reception Aesthetics, Janneke Wesseling, 2017

Of Sponge, Stone, and the Intertwinement with the Here and Now: A Methodology of Artistic Research, Janneke Wesseling, 2016

Triple Bond: Essays on Art, Architecture and the Museum, Wouter Davidts, 2016

The Shape of Evidence: Contemporary Art and the Document, Sophie Berrebi, 2015